{"id":11,"date":"2026-02-15T22:32:17","date_gmt":"2026-02-15T22:32:17","guid":{"rendered":"https:\/\/stagewonders.com\/davila\/2026\/02\/15\/autoretrato-en-pareja\/"},"modified":"2026-02-19T03:44:13","modified_gmt":"2026-02-19T03:44:13","slug":"autoretrato-en-pareja","status":"publish","type":"post","link":"https:\/\/stagewonders.com\/davila\/2026\/02\/15\/autoretrato-en-pareja\/","title":{"rendered":"AUTORETRATO EN PAREJA"},"content":{"rendered":"<div class=\"artwork-description\">In Autorretrato en Pareja (2004), Fernando D\u00e1vila explores the intimate boundary between creator and creation. Depicted mid-gesture, the artist paints a sensual intertwined couple whose fragmented bodies echo the emotional complexity of human connection. The vivid red background amplifies the tension between desire, vulnerability, and artistic devotion. By placing himself alongside the unfinished figures, D\u00e1vila reveals painting as an act of self-exposure\u2014where the artist\u2019s inner world quietly merges with the subjects he brings to life. The work becomes both a portrait of the couple and a subtle, introspective portrait of the artist himself.<\/div>\n<ul class=\"artwork-details\">\n<li><strong>Year:<\/strong> 2004<\/li>\n<li><strong>Medium:<\/strong> Art &#8211; Canvas<\/li>\n<li><strong>Dimensions:<\/strong> 59.0&#8243; x 47.0&#8243;<\/li>\n<li><strong>Classification:<\/strong> Major Work<\/li>\n<li><strong>Availability:<\/strong> Available<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In Autorretrato en Pareja (2004), Fernando D\u00e1vila explores the intimate boundary between creator and creation. Depicted mid-gesture, the artist paints a sensual intertwined couple whose fragmented bodies echo the emotional complexity of human connection. The vivid red background amplifies the tension between desire, vulnerability, and artistic devotion. By placing himself alongside the unfinished figures, D\u00e1vila [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_odoo_id":"108","_odoo_model":"product.template","_odoo_category":"","_odoo_item_type":"","_is_featured":"","_event_type":"","_event_state":"","_event_date_start":"","_event_date_end":"","footnotes":""},"categories":[2],"tags":[],"class_list":["post-11","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolio"],"_links":{"self":[{"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/posts\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":1,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/posts\/11\/revisions"}],"predecessor-version":[{"id":77,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/posts\/11\/revisions\/77"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/media\/203"}],"wp:attachment":[{"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/media?parent=11"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/categories?post=11"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stagewonders.com\/davila\/wp-json\/wp\/v2\/tags?post=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}